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Max Lousada on Warner’s dance strategy, A&R, AI and the ‘art’ of what’s possible with technology

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This week in Ibiza, Spain, the Worldwide Music Summit (IMS) dance music convention hosted a uncommon keynote interview with Max Lousada, the CEO of Recorded Music at Warner Music Group.

Throughout his look on the occasion, the place he was interviewed by legendary DJ Pete Tong, Lousada mirrored on his profession within the music business, and his personal historical past with dance music.

Talking broadly about working in music, Lousada informed the viewers that the “pleasure of watching an artist develop, and a [fan]base develop and music develop, I by no means get uninterested in that.”

He added: “That journey of seeing artists experiencing all the pieces for the primary time: In case you’re in it, it’s actually, actually good.”

Lousada additionally supplied perception into WMG’s dance music technique. In recent times, a part of that technique has included the acquisition of outstanding Netherlands-born dance music firm Spinnin Data in a nine-figure deal in 2017.

As famous by Lousada in the course of the keynote, Spinnin simply handed the milestone of 30 million subscribers on its YouTube channel.

WMG’s broader dance music technique additionally included the acquisition, in June 2021, of the whole recordings catalog of French DJ/producer famous person David Guetta for over $100 million.

WMG additionally signed a cope with Guetta for future recordings. In accordance with WMG, Guetta was the most-streamed dance artist in 2021, 2022 and to this point in 2023.

His monitor I’m Good with Bebe Rexha, launched final summer time, has racked up over 1.6 billion streams throughout all platforms, and over 908 million on Spotify alone, the place it additionally achieved No.1 place on the Spotify International chart.

One other dance hit from Warner final summer time was Oliver Tree and Robin Schulz’s Miss You (Atlantic) which has been streamed over 500 million occasions throughout all platforms, and landed within the High 10 on the Spotify international chart.

Past David Guetta and Robin Schulz, Warner works with international superstars like Tiesto and  Skrillex, and stars of their residence markets like Ofenbach in France and Joel Corry within the UK, in addition to rising stars equivalent to Fred Once more and Eliza Rose.

In the meantime, different latest strikes from WMG within the dance music enterprise embrace Warner Data‘ launch within the US, in March of this yr, of what it known as “its first-ever flagship digital dance music label” in Main Recordings, led by Sam Mobarek.

In March 2022, in the meantime, veteran dance music government Patrick Moxey launched a brand new label group and signed a “international strategic alliance” with Warner Recorded Music for 2 key file labels Payday Data and Helix Data. Moxey’s Extremely Music Publishing additionally agreed an alliance with Warner Chappell Music final yr.

Plus, in 2021, Warner Music Asia launched a Pan-Asian dance label known as Whet Data.


Lousada’s keynote at IMS, and Warner Music Group’s rising footprint within the dance music house, arrive alongside progress within the wider digital music sector.

In accordance with the brand new IMS Enterprise Report 2023, authored by MIDiA Analysis’s Mark Mulligan and launched this week at IMS, the worldwide dance music enterprise is estimated to have grown 34% YoY to achieve $11.3 billion in worth in 2022.

MBW listened in to Max Lousada’s dialog with Pete Tong. Listed below are 5 issues that stood out:


spinnin records

Conventional buyers didn’t “perceive the worth” of Spinnin Data,  which gave WMG “the sting” to accumulate the corporate

Commenting on why Warner Music Group acquired Spinnin Data again in 2017, Lousada defined in the course of the keynote that, “Warner has a historical past of unbiased labels. It’s Atlantic, it’s Warner, it’s Elektra, it’s Sire, it’s Massive Beat, it’s Highway Runner, it’s now 300, it’s now Spinnin”.

He added: “I felt very snug that we may permit their independence and their entrepreneurial spirit.

“And I additionally believed, and I nonetheless do, and doubtless the analysis you noticed earlier, is dance and digital music as a style as a subset I nonetheless really feel is undervalued.

“And I additionally felt from an funding perspective, while there was competitors, conventional buyers usually go for AAA acts they perceive and I used to be like, they don’t perceive the worth of what Spinnin is.

“And that gave me an edge, and it gave us, gave Warner an edge to truly purchase the corporate.”


Lousada doesn’t assume there’s a spot for “generalists” in A&R anymore

Commenting on his views round trendy A&R in music, Lousada defined: “For me, it’s about being [a] specialist as an A&R – being very immersed within the tradition utterly.

He added “I don’t assume there’s a spot for generalists anymore. I believe you must be utterly genuine, passionate and clear about your proposition, your worth, and their expertise. After which it’s good to take a look at it within the spherical.

“Artists have a lot selection so you actually have to be very clear about what you’ll be able to ship for them as a way to create a relationship and create a deal.

“I don’t assume there’s a spot for generalists anymore. I believe you must be utterly genuine, passionate and clear about your proposition, your worth, and their expertise.”

Commenting additional on A&R and particularly on using information round A&R choices, Lousada stated:  “Simply what’s the defining brilliance of that artist? Is it manufacturing? Is it work ethic? Is it a vocal? Is it melody? Is it a lyricist? Is it efficiency?

“Looking for one thing that actually differentiates them out there, is one thing that definitely I might all the time search for. I believe being actually clear about making an attempt to get the correct information with the correct context.

He added: “, I all the time use the analogy to a few of the youthful A&R’s, you’ll be able to take a look at a sold-out Pacha or Brixton Academy or El Rey and really feel like that has a sure worth.  However in case you’re not within the room and you may’t see the viewers singing the music or leap how excessive they’re leaping – that could be a vital a part of realizing whether or not they’re rising or whether or not that was the final Brixton present they’ll ever do.

“And I believe we have now to ensure the social engagement alongside the streaming information alongside TikTok creates [and reflects] all of that. We’re going into the subsequent horizon of having the ability to consider.”


Customers don’t subscribe to music companies “to take heed to music that [they] don’t know of what it’s”.

Commenting on the challenges of breaking and selling artists within the streaming and social media age, Lousada stated that “Now, it’s a few demand curve and creating shortage when there is no such thing as a shortage”.

He added: “That’s a few of the philosophical issues we’re making an attempt to deal with, how will we create demand, how will we create moments, how will we create reminiscences of buy.

“I’m in all probability older than most people on this room however I’ve reminiscences of after I purchased my first A Tribe Referred to as Quest file, after I first heard Goldie drop his file on the Blue Notice, I’ve all of those distinct reminiscences that create loyalty and repeat listenership.

“You don’t subscribe to a service to say, ‘I’m subscribed to this service to take heed to music that I don’t know of what it’s’. You go, ‘I’m going to do it as a result of I like this artist and that artist.’

“Our job is to maintain on ensuring that these artists and people experiences are speaking again to one another.”


Warner Music Group

“Expertise goes to be one in every of Warner’s large differentiators within the coming years.”

Commenting additional on progress within the digital panorama, and using know-how within the music enterprise, he stated: “All of us can see that streaming is a superb basis, however the place we will have actual progress is about including totally different alternatives”.

He added: “AI is a unique alternative, direct to client, group administration, all of these totally different parts, totally different horizons, totally different revolutionary approaches to how we get music out goes to clearly be a part of our progress technique.

Commenting particularly on Warner’s funding in know-how, he defined that, “the artwork of what’s attainable [with tech] is admittedly what Robert [Kyncl, Warner Music Group CEO], is displaying us and the executives that he’s bringing as a way to execute and make investments behind are of the caliber we’d have by no means bought with out him”.

Added Lousada: “The best way we take a look at and browse our information goes to get higher. The best way we take a look at our followers and the way we will form of put them into locations that we will actually discuss to them with the use and the enablement of know-how goes to be one in every of Warner’s large differentiators within the coming years.”


“The primary means we take into consideration [AI] is how will we defend our artists?”

Lousada additionally touched on one of many greatest speaking factors within the trendy music enterprise right now: synthetic intelligence.

He stated that, in his view, “The primary means we take into consideration [AI] is how will we defend our artists?”

He added: “If we’ve bought machines which are studying from our copyrights or we’ve bought individuals utilizing deep fakes and title and likeness, there’s so much there to unpack.

“We’ve bought to determine that out. We have to get it proper. I stated it earlier, creativity in tech is what wins.

“And I believe, the perfect creatives partaking with AI will in all probability take advantage of compelling collision of music, however it’s an interesting factor that’s unraveling.”Music Enterprise Worldwide

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